Sunday, October 23, 2011

Justice League: Cry for Justice #1 (September, 2009)



Aboard the JLA satellite, Green Lantern Hal Jordan had taken stock of the deaths of Martian Manhunter and Batman during Final Crisis. He decided that the Justice League needed to actively seek out criminals before their plots could come to fruition, setting him in conflict with Superman and a more reactive group. "...These aren't the villains of yesterday, and our being 'good' and 'true' isn't scaring them back into the shadows. Not anymore."

Wonder Woman leaned into the conference room table. "Hal. This isn't like you."
"Cool, carefree Jordan? Not today, Diana."
"What are you saying?"
"I'm saying this will not stand. I'm saying they hurt us, we hurt back."

Superman wasn't sure he could allow Hal to go through with his plan, but Jordan scowled, "Try to stop me." No one did, and Green Arrow left with him.

“Cry For Justice: The Beginning” was by James Robinson and Mauro Cascioli.

Friday, October 21, 2011

2006 Wonder Woman on Paradise Island sketch by Mike Wieringo

Click To Enlarge


A swell piece by the late great.

Tuesday, October 18, 2011

Sensational Comics for January, 2012



Wonder Woman
WONDER WOMAN #5
Written by BRIAN AZZARELLO
Art by TONY AKINS
Cover by CLIFF CHIANG
1:25 Variant cover by CLIFF CHIANG
On sale JANUARY 18 • 32 pg, FC, $2.99 US • RATED T

Wonder Woman has returned home to London…but leaving Paradise Island doesn’t mean leaving the gods behind, as two of the most powerful deities of the pantheon have come to town – and neither of them is leaving without being crowned King of the gods! Featuring guest art by Tony Akins (JACK OF FABLES)!
You here about the big reveal regarding Wonder Woman's origin? I'd hate to spoil it. Suffice to say, it's borrowed from someone I suppose doesn't need it any longer, and once again spits in the face of originality and the creator's whole point in devising it. At least there should be less Claymation Pinocchio crap.

JUSTICE LEAGUE #5
Written by GEOFF JOHNS
Art and cover by JIM LEE and SCOTT WILLIAMS
1:25 Variant cover by ERIC BASALDUA
1:200 B&W Variant cover by JIM LEE
On sale JANUARY 18 • 40 pg, FC, $3.99 US • RATED T
Combo pack edition: $4.99 US

Now, with the teenaged powerhouse Cyborg at their side, this group of individual heroes must somehow put their differences aside to face the terror of Darkseid!
This issue is also offered as a special combo pack edition, polybagged with a redemption code for a digital download of the issue.
Notice how Superman is the only person on this cover not wielding a deadly weapon? Sheesh.

DC UNIVERSE ONLINE LEGENDS #21-22
Written by MARV WOLFMAN
Art by BRUNO REDONDO, HOWARD PORTER and LIVESAY
Cover #21 by MIKE S. MILLER
Cover #22 by HOWARD PORTER and LIVESAY
In a misguided attempt to save the Earth, Batman launches a chemical attack on an alien race. Will Hal Jordan and the Green Lantern Corps arrive in time to stop the genocide? And in issue #22, the final battle begins! Under the leadership of Batman and Lex Luthor, the heroes launch an all-out assault on Brainiac – but the elusive Super Villain still has one more trick up his sleeve!
#21 on sale JANUARY 11
#22 on sale JANUARY 25
32 pg, FC, $2.99 US
RATED T
End. Soon.

WONDER WOMAN: ODYSSEY VOL. 2 HC
Written by J. MICHAEL STRACZYNSKI and PHIL HESTER
Art by DON KRAMER, EDUARDO PANSICA, GERALDO BORGES, TRAVIS MOORE, WAYNE FAUCHER, JAY LEISTEN and others
Cover by ALEX GARNER
On sale MARCH 7
192 pg, FC, $22.99 US
In this final “Odyssey” volume, Wonder Woman faces Cheetah, Silver Swan, Dr. Psycho and the mysterious Morrigan. And as the old gods die away, only Diana’s inner strength can see her through the battle to come.
And in the finale, Wonder Woman learns that the only way to defeat her nemesis may be to give her own powers over to her! But is Diana strong enough to control a force that seeks vengeance on all mankind, or will the warrior within her condemn her to a life of eternal bloodshed? Collecting WONDER WOMAN #607-614!
Anyone lining up for a reprint of a reboot that already got rebooted?

Wonder Girl (Cassie Sandsmark)
TEEN TITANS #5
Written by SCOTT LOBDELL
Art and cover by BRETT BOOTH and NORM RAPMUND
1:25 Variant cover by BRETT BOOTH and NORM RAPMUND
On sale JANUARY 25
32 pg, FC, $2.99 US
RATED T
Retailers: This issue will ship with two covers. The variant cover will feature the standard edition cover in a wraparound format.

In their first battle as a team, The Teen Titans square off against N.O.W.H.E.R.E.’s most powerful weapon... The Superboy! But can the cunning of Red Robin, the speed of Kid Flash and the psionic might of Bunker stop a threat that has already taken out the powerhouse known as Wonder Girl? The fight rages from a battle cruiser docked in the Hudson River to the Central Park Zoo, but as a world stands up and takes notice, there is a very real possibility the Teen Titans might not survive their high profile debut!
No there isn't. Liars. Way to spoil the previous issue on the Wonder Girl front, by the way.

Wonder Girl (Donna Troy)
TINY TITANS #48
Written by ART BALTAZAR and FRANCO
Art and cover by ART BALTAZAR
On sale JANUARY 18
32 pg, FC, $2.99 US
RATED E
Because you demanded it – Tiny Titans unmasked in a special all red hair issue! Barbara! Miss Martian! Starfire! Blackfire! And Speedy! Actually, Speedy’s hair is more of an auburn. Also, what’s Wonder Girl’s secret? What is she doing with all that fruit? A discovery is made when she reveals her secret oranges!

Saturday, October 15, 2011

Thursday, October 13, 2011

The Warner Bros. Studio Store Wonder Woman Lithograph by Brian Bolland

Click To Enlarge


I've never laid eyes on one of these myself, and my attempts to find information on the internet haven't come to much. The artist posted the image on his brand new blog, along with a large black and white detail of his cover to Wonder Woman #81. The lithograph is supposed to be huge, framed, and signed & numbered with a Certificate of Authenticity. You can see the original 17" x 24" art here, as well as a preliminary sketch. If anyone would liked to chime in with more details, I'm all ears...

Tuesday, October 11, 2011

The Huntress #1 (December, 2011)

When I started this blog, it was going to co-feature the Huntress, a former back-up in early '80s Wonder Woman comics. It only took a few months to realize that I had too much to work with regarding Amazing Amazons to give Huntress due space, and I needed more heroines to cover at another blog, so she moved. Since I decided not to buy the latest Wonder Woman #1 (first by pre-order choice, then by it selling out within two hours of hitting local stands,) and I wanted to cover Action Comics #1 at Huntress' current home, I figured a special return guest appearance was in order...



Helena was finally back in Italy, and disembarking from the plane, wondered "how many corpses I'll leave behind this trip?" On reaching Naples, she was disgusted by the stink of the unresolved garbage strike. She was also down on men, even though she took advantage of them to get herself and her crossbow into the country without dealing with customs.

That night, the Huntress raided a ship with cargo planned to sail for Gotham City. She knocked out a guard with a weighted bolt, then insured that he would sleep through the night with a syringe full of nappytime. In a shipping container, the Huntress found crates full of guns behind the kidnapped young women of Arab descent. The women's pleas drew the attention of two guards, but Huntress' martial arts skills made short work of them. The innocents were escorted off the ship, and the container was destroyed in an explosion.

The next day, the sedated guard reported to his capo, Mr. Moretti. He couldn't care less about the women, who were easily replaceable, but losing a month's worth of smuggled firearms was infuriating. Moretti had security beefed up to deal with the mask, and shot the failed guard in the head.



Helena insisted on keeping things on a first name basis with Allesandro, the reporter who was part of a crusade to help exploited immigrants in the wake of the Arab Spring. "I am sick of reporting this disgusting story to a nation that does not get angry." Helena impaled a newspaper he was shaking to a wall with the toss of a letter opener. Italian citizens may not be concerned with human trafficking, but Helena made her point that at least they were on the case.

Helena, under the alias of Esposito, subtly requested from her bellhop that a prostitute be sent up. Soon, a dark-complected young girl in a tube top and microskirt showed up with a handler, demanding money up front. Helena kicked him in the face, but the scared girl called for help on her cell phone before the vigilante could convince her otherwise. Helena knocked out the call girl with a nerve pinch, then suited up for the inevitable armed response. "It's never simple. I wonder if Batman plans these moments better... or is he just luckier?" The Huntress beat the snot out of four armed enforcers, then left them tied up in her hotel room while she left with the hooker, Afaf. The men were found by more agents of Mr. Moretti, led by Giuseppe, who executed the lot for their failure.



"Crossbow at the Crossroads" was by Paul Levitz, Marcus To and John Dell. Based on a text piece at the back of the book, this story took place on the revived Earth-2, alongside the new Mr. Terrific series. While I always liked the Huntress gaining independence to become her own person, the piece hints that she may again turn out to be the daughter of that world's Batman and Catwoman... or not. Her last name was suspiciously withheld throughout.

With this script, Levitz clearly wanted to prove that you can teach an old dog new tricks. Decompression, silent action, sparse dialogue, the absence of thought balloons in favor of captions, light exposition, mature elements, and a hero who speaks casually of murder. What Levitz couldn't hide was a clear, conventional narrative and a reliance on action movie tropes, which isn't necessarily a bad thing. Of the four first issues I've bought of the "New 52" (though this is technically a 53rd,) I liked this the best. The art is also pretty, like the lovechild of Gary Frank and Sam Basri, without the excessive titillation of the latter's recent work (though it's not completely absent.) To never sacrifices storytelling for money shots, every picture is lovely, his Huntress is athletic while still feminine, and he's great about referencing complex martial arts moves. So far, this is a perfect match of creators and character.

DC New 52

Saturday, October 8, 2011

DC Retroactive: Wonder Woman - The '80s #1 (DC, 2011)



A young girl was nearly run down in the street by a luxury sedan barreling through a red light at her. The car was caught and flung about by Wonder Woman, who learned the man responsible was some fat cat who felt above the law. Diana inflicted grievous bodily harm on the man and his driver, which even under the circumstances came across as excessive. Good thing Wonder Woman could just fly off before any police looked at her cross-eyed.

Major Diana Prince (she got promoted) returned to work at the Pentagon, and nagged Etta Candy about not sticking to her diet. No sooner had she arrived than a news report about the earlier incident sent her right out the door again. You see, that Wonder Woman was not Diana Prince. The Amazing Amazon was soon in her invisible robot plane, searching for her impersonator.

Inside a water tower, the "little ersatz Amazon" returned to the concealed lab of Dr. Psycho. A few weeks earlier, a plot by Ares to kill Wonder Woman through his newly created proxy Silver Swan had overlapped with Dr. Psycho's exploitation of Steve Trevor to create a perfect body for himself. Both plots ended in defeat. Silver Swan was left the powerless ugly duckling Helen Alexandros, but Dr. Psycho recognized that she still had usefulness. Using his Electroplasmotron, Psycho temporarily turned Helen into Wonder Woman, and promised to make the change permanent for a price.



Colonel Steve Trevor paid a visit to Major Prince's office, but finding her absent, asked Lieutenant Candy's advice: "How do I make Wonder Woman fall in love with me?" Etta had no answers, and with his efforts frustrated, Trevor blew off steam joyriding in a fighter jet.

Dr. Cyril Psycho's certified I.Q. of 237 had allowed him to devise a device to observe the invisible plane clearly. With the Electroplasmotron fired up, the false Amazon could pursue the true one. Further, if Alexandros were to kill the real Princess Diana, Helen could permanently absorb her essence. That's not to mention Alexandros' retaining some of her powers of flight from Ares, making her "Wonder Woman two-point-o!" Well, except Helen still bore the old eagle breastplate, while Diana had moved on to the "'Winged-W' sigil." The predictable fight ensued, with the unwanted telepathic encouragement of the doting Dr. Psycho in the former Silver Swan's head.



Diana had the advantage of experience, but Helen had more raw power. The deal-breaker was the invisible plane, spinning out of control, on a collision course with Steve Trevor's jet. Helen insisted on being the one to save him, recalling her infatuation with Captain Wonder. However, Helen was reminded that Steve was "only the pale prototype Psycho used to create him," and tossed the Colonel aside.

Diana had used Helen's reliance on brute force and lack of forethought against her, recalling the robot plane and catching Steve Trevor in midair. Since Psycho had experimented on him, Steve couldn't get Wonder Woman out of his mind, but assumed she could never love a man that she had to rescue all of the time. While Steve sulked, Helen smashed into Dr. Psycho's lab, sneering over her unwillingness to follow through on their deal. Rather than becoming the trophy wife of Psycho as agreed, Helen admitted that she was only ever in it for Captain Wonder, and in his absence, she was out. Dr. Psycho pleaded with her, but was backhanded for his simpering. Helen believed that she could still kill Wonder Woman, take her place, and search out a truly worthy mate. She shouldn't have showed her hand to Psycho prematurely then, because he caused the Electroplasmotron to self-destruct. The explosion killed Dr. Psycho, and the sudden loss of its power sent Helen Alexandros falling to her own death. Unable to hear her screams as the robot plane flew on, Steve Trevor noted, "Who could ever be a threat-- to the one and only Wonder Woman?"



"Double, Double..." was by Roy Thomas, Rich Buckler, Tim Smith 3, Carlos Rodriguez, Joe Rubinstein, Jack Purcell, and Norman Lee. That's six artists for twenty-six pages of story. It starts out pretty well with Buckler and Rubinstein offering an unusually ripped but otherwise classic Bronze Age Wonder Woman. Thomas' script is cute, drawing on plot threads left over from his run, although he clearly should have reread his own scripts. He seemed to forget how his creations worked, and amidst all the flashbacks might have explained how the villains were reunited. Unfortunately, the good artists ditch on page fourteen with seriously cruddy replacements in the second half. If fact, the art is so terrible, I suspect Thomas had to rewrite those pages, because the story quality seems to deteriorate around the same point into a dunderheaded slugfest. The grim coda is jarring, in part because Rubenstein returns to own those last two pages. A nasty little retroactive cap on Thomas' run.

DC Retroactive